Erich Wolfgang Korngold (1897-1957): Die tote Stadt - Erich Leinsdorf - Münchner RundfunkorchesterOpera | Early 20th Century | 2CD | EACRip | APE+LOG+CUE | Covers | RS.com | 638MB
Label: RCA | Year of release: 2009 | ADD
Marietta: Carol Neblett
Paul: René Kollo
Münchner Rundfunkorchester
Erich Leinsdorf
Rec. 1975
Amazon Review:
All that has remained in the repertoire of this excellent work are the duly famous 4 minutes of `Marietta's Lied`, hailed by some as one of the most beautiful things in all 20th century opera. It certainly packs an emotional punch worthy of Puccini at his peak, and its return at the very end is heart wrenching. I've seen critics regret the fact that the rest of Die Tote Stadt is 'not on the same level', but really, that's a bit like complaining the rest of Turandot is not quite like Nessun dorma... In fact, the opera was a huge success at its premiere and widely admired by contemporary composers, Puccini as well as Alban Berg among them. And rightly so, which can only make us wonder more at its subsequent neglect. Korngold is just one of those composers who never really made it into the limelight, even though he wrote much that is instantly accessible and quite exciting.
Indeed, the whole two hours of this piece are enthralling, mainly on the strength of the expert and colourful writing for the (gargantuan) orchestra. Imagine a kind of Elektra meets Gurrelieder cocktail with an added dash of Zemlinsky, Mahler and, yes, Puccini, and you may get some idea of what to expect. I was also put in mind of that other forgotten great opera, Pfitzner's Palestrina. It doesn't make for relaxed listening: the general tone is a bit too excited and even hysterical for that, as befits an opera exploring the obviously Freudian theme of mourning gone haywire. But it's anything but monotonous. One moment a boating song plunges you straight into the world of Viennese light operetta, the next this gay party is subsumed by the extraordinary and spectacular sounds of an organ and a plethora of bells, and you are in a sound world that is as modern as it is captivating.
The vocal parts are extremely agitated and rather highly strung; I cannot help but feel they occasionally overtax the lead singers. Both Neblett and Kollo produce some very strained, even shrill top notes, and there are many top notes in both parts! On the whole, however, the singing is admirable, and the orchestral playing is of an even higher order. The recording, too, though 30 years old, is quite good: it allows you to hear lots of detail, and has an ample dynamic range. We ought to be rightly grateful for having it, and as long as there is no competition other than Segerstam's live recording on Naxos, this set is very much worth acquiring. Meanwhile, there certainly is room for a high profile modern remake. Wouldn't it be a perfect way for Chailly to start his tenure at the helm of the Leipzig Opera and Gewandhausorchester? If Decca would then be so kind as to hire Renée Fleming as Marietta, something truly wonderful might come out...
MartinP
Tracklist:
CD1
1 Act I : Behutsam! Hier ist alles alt (6:12)
2 Frank! Freund! (11:13)
3 Nur deiner harr ich, niemals Verlorne! (2:02)
4 Rosen - so ists recht! (1:25)
5 Wunderbar! - Ja, wunderbar! (4:38)
6 Glück, das mir verblieb (Marietta's Lied) (12:14)
7 Marietta! - Paul... Paul... (8:24)
8 Act II : Prelude (5:37)
9 as ward aus mir? (8:04)
10 Wohin? Frank - du? (2:22)
11 Schäume, schäume (7:35)
CD2
1 Da ihr befehlet, Königin (Pierrot Lied) (11:44)
2 Du machst mir eine Szene? (13:16)
3 Act III : Prelude (2:35)
4 Dich such ich, Bild! (5:21)
5 Du hier? - Als ich erwachte (24:45)
6 Die Tote - wo - lag sie nicht hier (9:43)
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DOWNLOAD
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Label: RCA | Year of release: 2009 | ADD
Marietta: Carol Neblett
Paul: René Kollo
Münchner Rundfunkorchester
Erich Leinsdorf
Rec. 1975
Amazon Review:
All that has remained in the repertoire of this excellent work are the duly famous 4 minutes of `Marietta's Lied`, hailed by some as one of the most beautiful things in all 20th century opera. It certainly packs an emotional punch worthy of Puccini at his peak, and its return at the very end is heart wrenching. I've seen critics regret the fact that the rest of Die Tote Stadt is 'not on the same level', but really, that's a bit like complaining the rest of Turandot is not quite like Nessun dorma... In fact, the opera was a huge success at its premiere and widely admired by contemporary composers, Puccini as well as Alban Berg among them. And rightly so, which can only make us wonder more at its subsequent neglect. Korngold is just one of those composers who never really made it into the limelight, even though he wrote much that is instantly accessible and quite exciting.
Indeed, the whole two hours of this piece are enthralling, mainly on the strength of the expert and colourful writing for the (gargantuan) orchestra. Imagine a kind of Elektra meets Gurrelieder cocktail with an added dash of Zemlinsky, Mahler and, yes, Puccini, and you may get some idea of what to expect. I was also put in mind of that other forgotten great opera, Pfitzner's Palestrina. It doesn't make for relaxed listening: the general tone is a bit too excited and even hysterical for that, as befits an opera exploring the obviously Freudian theme of mourning gone haywire. But it's anything but monotonous. One moment a boating song plunges you straight into the world of Viennese light operetta, the next this gay party is subsumed by the extraordinary and spectacular sounds of an organ and a plethora of bells, and you are in a sound world that is as modern as it is captivating.
The vocal parts are extremely agitated and rather highly strung; I cannot help but feel they occasionally overtax the lead singers. Both Neblett and Kollo produce some very strained, even shrill top notes, and there are many top notes in both parts! On the whole, however, the singing is admirable, and the orchestral playing is of an even higher order. The recording, too, though 30 years old, is quite good: it allows you to hear lots of detail, and has an ample dynamic range. We ought to be rightly grateful for having it, and as long as there is no competition other than Segerstam's live recording on Naxos, this set is very much worth acquiring. Meanwhile, there certainly is room for a high profile modern remake. Wouldn't it be a perfect way for Chailly to start his tenure at the helm of the Leipzig Opera and Gewandhausorchester? If Decca would then be so kind as to hire Renée Fleming as Marietta, something truly wonderful might come out...
MartinP
Tracklist:
CD1
1 Act I : Behutsam! Hier ist alles alt (6:12)
2 Frank! Freund! (11:13)
3 Nur deiner harr ich, niemals Verlorne! (2:02)
4 Rosen - so ists recht! (1:25)
5 Wunderbar! - Ja, wunderbar! (4:38)
6 Glück, das mir verblieb (Marietta's Lied) (12:14)
7 Marietta! - Paul... Paul... (8:24)
8 Act II : Prelude (5:37)
9 as ward aus mir? (8:04)
10 Wohin? Frank - du? (2:22)
11 Schäume, schäume (7:35)
CD2
1 Da ihr befehlet, Königin (Pierrot Lied) (11:44)
2 Du machst mir eine Szene? (13:16)
3 Act III : Prelude (2:35)
4 Dich such ich, Bild! (5:21)
5 Du hier? - Als ich erwachte (24:45)
6 Die Tote - wo - lag sie nicht hier (9:43)
Password inside txt.
DOWNLOAD
.
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thnaks for this great work!
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